From whichever direction we approach it - as plain readers of poetry, as critics or literary historians, as biographers or sociologists, or as translators - Pau
In English writing we seldom speak of tradition, though we occasionally apply its name in deploring its absence. We cannot refer to “the tradition” or to “a
In the selection of pretenders, a new ‘king maker’ takes part, it is ritual legitimation, the ability to rely on ritual, to fulfill it and use it, to allow oneself, as it were to be borne aloft by it . . .
Though Four Quartets appears to be driving toward expressing or defining a state of contentment, it seems to have a hard time getting there, as, perhaps, it ought to.